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Despite wanting to rip my eyes out during the film - contacts shouldn't be worn that long - I greatly enjoyed Blood Diamond.

Leo DiCaprio is now not only completely redeemed in my eyes thanks to The Departed, where he does a most excelent job, but now has a Stamp of Approval. Meaning his presence in a film improves the chances of my agreeing to watch it. (Alright, I was impressed by him in Catch Me if You Can and seriously impressed in What's Eating Gilbert Grape but, as is happening with Johnny Depp, I'm only just now sitting up and paying attention. And no, never did watch The Basketball Diaries.)

I really enjoyed his accent, though I'm not experienced enough to say whether it was a) accurate or b) Zimbabwean** or South African. I particularly liked his little verbal ticks, like saying "huh" and "ah" at the end of his sentences. Plus, he pronounced "yes" à la German (or Afrikaans) which is "ja". The pidgin English - or whatever it was - he spoke in one scene haggling was fun too.

About language: why, whenever people speak in Tribal Langauge TM, do they speak so haltingly? They never flow their words together and it always sounds like a holy pronouncement, even if all their saying is, "Dude, that's the wrong way." Excepting Dijimon Hounsou*** in BD and the cast of Apocalypto. (This only happened in one brief scene, but it brought flashbacks of horridly done films.)

I was pleasantly surprised to see Arnold Vosloo (aka the mummy in The Mummy) in the film.

There were a few bits at the beginning where I was cringing, and once again I've confirmed my hatred of the machete. As a weapon, it freaks me out so much more than guns. It just seems that much more violent and visceral. (Also, it whacks limbs off with disturbing ease.) I hate machetes.

There was also a scene which I'm willing to bet will be extensively explored in fanfiction. (Hell, even I'm considering it.) The "fade-to-black" bit where Danny and Maddy talk over a milk-carton of palm wine and we're left with their holding hands quite tenderley. Then, the next morning, a little eye-contact (via rear-view mirror) in the car. That's a fanfic gold diamond mine.

Another's comments, off of IMDB )

Extensive comments from posters on DiCaprio's accent. )

* Danny Archer, Blood Diamond
** I like the old name, Rhodesia, better. But then, I prefer "Zaire" to "Democratic Republic of Congo", and think "Tanganyika" has a certain charm. Although, I'll admit, I have read a large number of colonial-times novels set in Africa. You kinda get used to the old names.
*** Who plays a fisherman, not a farmer, as the IMDB summary claims.
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I’ve just finished reading Mil Millington’s Love and Other Near-Death Experiences. The summary says:

Rob Garland is getting married in two months. Oddly, however, this is the least of his problems. More vexing that the seating arrangements and the choice of stationary is the fact that Rob should be dead: and he knows it. He should have been sitting ina pub at the very moment it was wipe from the earth – but he wasn’t, thanks to a series of pointless coincidences.

Now he’s paralysed by the knowledge that every decision he makes, no matter how tiny, potentially has enormous consequences. Faced with an ultimatum from his girlfriend, he pours his heart out to listeners of his late-night jazz show. It’s a decision he may live to regret…”


Regarding MMillington: he’s the creator of “the cult website” Things My Girlfriend and I Have Argued About (also a novel), co-founder of The Weekley”, and author or A Certain Chemistry. He was named by The Guardian as one of the top five debut* novelists for 2002.

It’s hilarious. The back-cover says “one of those reads that leaves you looking like an annoying mad person on the bus as you chuckle every five seconds…” They’re only wrong on one fact: metro, not bus.

Also, man’s British, which means I get to read words like “bugger” (in the literal sense), “taking a piss” (in the non-literal, you’re-purposely-annoying-me way), “fags” (in the smokable sense), and “fuckwit” (in the perfect-insult sense).

Let me share some of my favourite bits so far (hopefully decently spoiler-free, but no promises):Warning: some quotes indecently long )

The lesson:

"When you do all that fixating on what microscopic decision could lead to your death, you have it wrong. The fact is, all those minuscule, mundane decisions actually lead to your life. You take hold of life, moment to moment, by making those choices: and every time yuo choose, yo win - because you choose to carry on. You decide to live life, instead of it living you. Not only that, but also the odds are against us every second of every day - there's simply such an unbelievable number of ways for disaster, hurt and deat to happen: and, in the end, death is going to get us anyway, that's certain. The correct way to look at it is to be amazed at each moment you beat the house: arrogantly, bloody-mindedly stick two fingers up at chance and whoop at your continued winning streak. Laugh at the fact that you're being so jammy as to pull it off - because it is incredible that you are: life is a succession of tiny miracles."


* I almost wrote “debutant”, which might have altered your image of Mil a bit. Given him a frilly dress and placed him in a ballroom, for one thing.
** Highly educational:

1) “If someone grabs you from behind, in a neck lock, then you stamp your heel down hard on the mid-section of their foot while simultaneously pulling their arm away – using the awkward twisting of their wrist joint to force them to yield.”
2) “Knife attack? Grab the person by the hand and elbow of the attacking arm, and push both inwards – the way muscles are arranged means that they have no real strength in that direction, so one can compel even an assailant who is physically much stronger than you to drop the weapon.”
3) “A face-on attack, of course, you meet with a sharp, upward blow using the heel of your palm – driving the attacker’s own nasal bone into his brain and killing him instantlt.”

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